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Wolfgang Tillmans

Wolfgang Tillmans

Nkule Mabaso

 

Wolfgang Tillmans’s photography carries a distinct poetic quality, emerging from his ability to capture the ephemeral, the personal, and the political with an unforced intimacy. Working across large-format prints, smaller photographic prints, sculptural objects, video projections, and publication projects, his images do more than just document; they create spaces of intimacy and connection. Tillmans ́s camera elevates ordinary moments and their aftermath – a room after a party, the view out of a plane window, folds of paper – transforming them into visual poetry.

His practice is a constant exploration of the technical and artistic capacities of photography, fueled with curiosity and compassionate perspective on the environment around him, and the rapport built with his subjects. His subjects – whether people, landscapes, or still lifes – are captured in a way that resists fixed meaning. The images suggest rather than dictate, allowing for ambiguity, interpretation, and emotional resonance. Through his viewpoint, both the immediacy of the now and the subtle undercurrents of modern existence encourage interpersonal proximity, where recognition, sympathy, companionship, and solidarity are possible between individual stories and societal narratives.

Nkule Mabaso
Foto de rio em parede branca
Installation view of work by Wolfgang Tillmans during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo
Fotografia da beira de um rio em espaço urbano.
Installation view of Los Angeles River, by Wolfgang Tillmans, during the 36th Bienal de São Paulo © Levi Fanan / Fundação Bienal de São Paulo
Foto de beira de rio urbano em parede branca
Installation view of Los Angeles River, by Wolfgang Tillmans, during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo
Fotos de rios em parede branca
Installation view of works by Wolfgang Tillmans during the 36th Bienal de São Paulo © Levi Fanan / Fundação Bienal de São Paulo
Fotos de rios em parede branca
Installation view of works by Wolfgang Tillmans during the 36th Bienal de São Paulo © Levi Fanan / Fundação Bienal de São Paulo
Foto de rio poluído em parede branca
Installation view of work by Wolfgang Tillmans during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo
Fotos de rios em parede branca
Installation view of works by Wolfgang Tillmans during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo
Fotos de rios em parede branca
Installation view of works by Wolfgang Tillmans, during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo
Foto de vídeo em dois canais em sala escura exibindo rios.
Installation view of Watching a Minute for a Minute, by Wolfgang Tillmans, during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo
Foto de vídeo em dois canais em sala escura exibindo nuvens.
Installation view of Watching a Minute for a Minute, by Wolfgang Tillmans, during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo
Foto de vídeo em dois canais em sala escura exibindo rios.
Installation view of Watching a Minute for a Minute, by Wolfgang Tillmans, during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo
Foto de vídeo em dois canais em sala escura exibindo rios.
Installation view of Watching a Minute for a Minute, by Wolfgang Tillmans, during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo

Wolfgang Tillmans (1968, Remscheid. Lives in Berlin and London) investigates the fundamentals of photography in his installations. He challenges the hierarchies of image reproduction and often presents his works without distinguishing between those captured by cameras and those produced through other reproduction methods, such as photocopiers. In 2000, he became the first non-British artist to receive the Turner Prize. His works are driven by political concerns, addressing themes such as homosexuality and gender identity. Among the institutions that have featured his work are the Museum of Modern Art in New York, Tate Modern and Serpentine Gallery in London, Moderna Museet in Stockholm, Hamburger Bahnhof – Museum für Gegenwart in Berlin, and the Museum of Modern Art in San Francisco.

This participation is supported by Institut für Auslandsbeziehungen – IFA.

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