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Noor Abed

Noor Abed

Rita Vênus
Translated from Portuguese by Philip Somervell

 

Noor Abed’s work is evidence of a profound relationship between the body and memory. In her work, dance and song are not just forms of expression, but staged devices for the transmission of collective histories. The intersection between reality and magic in her cinematographic approach allows her works to create atmospheres charged with symbolism, in which time seems to unfold in the inf inite regeneration of myths.

In the film our songs were ready for all wars to come (2021), the artist composed an affirmation of life and a reinvention of traditions, creating a soundscape and a choreographic design closely linked to the Palestinian sociopolitical context. Opting for an analog film format, Abed inaugurates images based on the documentary, but with a specific temporality in which the magical and the imagined traverse the ancestral gestures performed, as well as the relationships between the individuals who dance and sing and who, in many ways, translate the incorporated ideologies into their daily bodies.

This research into gestures returns in a night we held between (2024), the second film presented. In this sonic dive, the chant is a lament, a question, and a prayer to get away from the war. From the caves from where the sounds are captured, the images are immersed alongside the photographic archives and the gestural repetition of the dance, further emphasized around the fire and the women. This sound investigation becomes even more central in the performance Nothing Will Remain Other Than the Thorn Lodged in the Throat of This World (2025), with Haig Aivazian, which is also present at the 36th Bienal de São Paulo.

The use of sound recordings taken from the location where the artist films reinforces a sensory dimension of memory and collective experience. By situating the narratives in the centuries-old caves, entrances, and holes that are also her native landscape, Abed stages the transformations of rituals, reinventing forms of resistance, in which the permanence of bodies in the territory becomes the point of convergence of struggle and survival.

Rita Vênus
Translated from Portuguese by Philip Somervell
Uma sala escura com projeção de video.
Exhibition view of our songs were ready for all wars to come, by Noor abed during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo
Um homem e uma mulher vestindo roupas pretas falando em microfones com uma parede vermelha de fundo.
View of the performance Nothing Will Remain Other than the Thorn Lodged in the Throat of this World, by Noor Abed and Haig Aivazian, during the 36th Bienal de São Paulo
Uma sala escura com projeção de video. No video, uma pessoa observa uma fotografia em preto e branco.
Exhibition view of a night we held between, by Noor Abed, during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo
Um homem vestindo roupas pretas em frente a um microfone num ambiente pouco iluminado com foco de luz sobre ele.
Haig Aivazian during the performance Nothing Will Remain Other than the Thorn Lodged in the Throat of this World, by Noor Abed and Haig Aivazian, during the 36th Bienal de São Paulo © Iza Guedes / Fundação Bienal de São Paulo
Uma mulher de costas, vestindo roupas pretas, falando a um microfone com plateia ao lado e um homem a frente.
View of the performance Nothing Will Remain Other than the Thorn Lodged in the Throat of this World, by Noor Abed and Haig Aivazian, during the 36th Bienal de São Paulo © Iza Guedes / Fundação Bienal de São Paulo
Uma sala escura com projeção de video. No video, uma pessoa olha para cima em frente a uma escada de pedra.
Exhibition view of our songs were ready for all wars to come, by Noor abed, during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo
Um homem e uma mulher vestindo roupas pretas falando em microfones com uma parede vermelha de fundo e plateia nas laterais.
View of the performance Nothing Will Remain Other than the Thorn Lodged in the Throat of this World, by Noor Abed and Haig Aivazian, during the 36th Bienal de São Paulo © Iza Guedes / Fundação Bienal de São Paulo
Um homem e uma mulher vestindo roupas pretas falando em microfones com uma parede vermelha de fundo e plateia nas laterais.
View of the performance Nothing Will Remain Other than the Thorn Lodged in the Throat of this World, by Noor Abed and Haig Aivazian, during the 36th Bienal de São Paulo © Iza Guedes / Fundação Bienal de São Paulo
Uma mulher vestindo roupas pretas em frente a um microfone num ambiente pouco iluminado com foco de luz sobre ela.
Noor Abed during the performance Nothing Will Remain Other than the Thorn Lodged in the Throat of this World, by Noor Abed and Haig Aivazian, during the 36th Bienal de São Paulo © Iza Guedes / Fundação Bienal de São Paulo
Um homem e uma mulher vestindo roupas pretas batendo palma com uma parede vermelha de fundo.
View of the performance Nothing Will Remain Other than the Thorn Lodged in the Throat of this World, by Noor Abed and Haig Aivazian, during the 36th Bienal de São Paulo © Iza Guedes / Fundação Bienal de São Paulo
Um homem e uma mulher vestindo roupas pretas batendo palma com uma parede vermelha de fundo.
View of the performance Nothing Will Remain Other than the Thorn Lodged in the Throat of this World, by Noor Abed and Haig Aivazian, during the 36th Bienal de São Paulo © Iza Guedes / Fundação Bienal de São Paulo
Uma sala escura com projeção de video. No video, uma escada de pedra.
Exhibition view of our songs were ready for all wars to come, by Noor abed, during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo
Um homem e uma mulher vestindo roupas pretas falando em microfones com uma parede vermelha de fundo.
View of the performance Nothing Will Remain Other than the Thorn Lodged in the Throat of this World, by Noor Abed and Haig Aivazian, during the 36th Bienal de São Paulo © Iza Guedes / Fundação Bienal de São Paulo
Uma mulher vestindo roupas pretas em frente a um microfone num ambiente pouco iluminado com foco de luz sobre ela.
Noor Abed during the performance Nothing Will Remain Other than the Thorn Lodged in the Throat of this World, by Noor Abed and Haig Aivazian, during the 36th Bienal de São Paulo © Iza Guedes / Fundação Bienal de São Paulo
Uma sala escura com projeção de video e duas pessoas em pé assistindo.
Exhibition view of our songs were ready for all wars to come, by Noor abed, during the 36th Bienal de São Paulo © Natt Fejfar / Fundação Bienal de São Paulo

Noor Abed (1988, Jerusalem. Lives between Ramallah and Amsterdam) is an interdisciplinary artist and filmmaker whose practice moves between performance and film, exploring how social choreographies and forms of collective organization manifest in art. Blending elements of documentary and staged performance, her work investigates the boundaries between reality and representation. She co-founded the School of Intrusions, an independent educational collective based in Ramallah. She served as an assistant curator at documenta 15 (Kassel) and participated in the artist residency at Rijksakademie van Beeldende Kunsten (Amsterdam). She was awarded the Han Nefkens Foundation/Fundació Antoni Tàpies Video Art Production Grant.

This participation is supported by Mondriaan Fund.

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