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Forugh Farrokhzad

Forugh Farrokhzad

Deliasofia Zacarias

 

A tempest of raw emotion and unflinching truth, Forugh Farrokhzad’s (1934-1967) poetry has become a luminous force in 20th-century literature. Her work shattered the confines of classical Persian poetry, casting aside traditional structures to speak in free verse, laying bare the intimate landscapes of love, longing, and liberation.

Her poems are windows into her soul, intimate and confessional, unfolding layers of vulnerability, yearning, and quiet disillusionment. Farrokhzad offers a bold portrait of a feminine experience many have faced and perhaps still do, both its aching beauty and its silent pain. Her words pulse with sensitivity and defiance. This bare and unguarded honesty, both a strength and a fragility, set her apart, challenging the conventions of her time.

Farrokhzad’s style is marked by vivid, sometimes unsettling, imagery that communicates her emotional turmoil and existential questions. Often venturing into surreal, almost dreamlike panoramas, in which the boundary between the isolated containment and imagined freedom becomes fluid, her work mirrors the ebbs and flows of her inner mind unapologetically grasping at the edges of human existence.

Through works like Another Birth (1964) and The Captive (1955), Farrokhzad explored themes of confinement – both seen and unseen – delving into the emotional and societal chains that have binded women (in Iran and elsewhere, then and now). Her poems became an anthem for freedom, a cry for release from personal struggle and the weight of cultural and societal oppression. Her fierce and tender language intertwines the stark and the lyrical, creating a tension that lingers long after the final line.

Despite her sudden passing at the age of 32, Farrokhzad’s legacy ripples far beyond the borders of Iranian literature. Her poetry remains a beacon of resistance, authenticity, and empowerment. Her words, once considered poetry of protest, continue to speak to the struggles and triumphs of those who dare to challenge our existing conditions, making her work not just relevant but essential in today’s conversations around gender, sexuality, freedom, and social justice. Her voice continues to ignite feminist movements and inspire poets across the world. Her poetry and films are a testament to the unspoken power of words and the courage it takes to challenge silence, rise above society’s constraints, and embrace the complex depths of human existence. Through her work she invites us to reckon with the heart’s desires and the soul’s quest for self-expression.

Deliasofia Zacarias
LE18 em Marrakech, Marrocos — espaço que sediará a primeira Invocação da 36ª Bienal de São Paulo, entitulada Sobre escuta profunda e recepção ativa
LE18 em Marrakech, Marrocos — espaço que sediará a primeira Invocação da 36ª Bienal de São Paulo, entitulada Sobre escuta profunda e recepção ativa
LE18 em Marrakech, Marrocos — espaço que sediará a primeira Invocação da 36ª Bienal de São Paulo, entitulada Sobre escuta profunda e recepção ativa
LE18 em Marrakech, Marrocos — espaço que sediará a primeira Invocação da 36ª Bienal de São Paulo, entitulada Sobre escuta profunda e recepção ativa
LE18 em Marrakech, Marrocos — espaço que sediará a primeira Invocação da 36ª Bienal de São Paulo, entitulada Sobre escuta profunda e recepção ativa

Forugh Farrokhzad (1934–1967, Tehran) was a modernist poet and author, recognized for her feminist stance and for challenging the social conventions of her time. Her work explored female desire, sensuality, and the cultural restrictions imposed on women, giving voice to the intimate and emotional experiences of women in her society. In addition to poetry, she dedicated herself to translating authors such as George Bernard Shaw and Henry Miller, and created an innovative documentary about a leper colony in northeastern Iran, expanding her artistic practice. Following the Islamic Revolution of 1979, her work was banned and subjected to censorship for nearly a decade. Her poems have inspired other literary works, musical compositions, and critical essays.